Nan Goldin has spent more than twenty-five years creating edgy portraits. In 1996 these startlingly direct color images were the subject of a mid-career retrospective organized by the Whitney Museum of American Art, New York, which traveled to Winterthur, Germany; Vienna; and Amsterdam, among other international venues. She has earned the Mother Jones Photography Award, a grant from The National Endowment for the Arts, and the Maine Photographic Workshop Book Award for Documentary Book of the Year. Born in Washington, DC in 1953, Goldin earned her BFA (1977) and 5th Year Masters Certificate from The School of The Museum of Fine Arts, Boston.
MY VISUAL DIARY MENTAL IMAGE IS DEDICATED TO VISUAL CULTURE/CULT IMAGES/FASHION/ CONTEMPORARY ART/MEDIA ARCHAEOLOGY/ART HISTORY/CINEMA/PHOTOGRAPHY.
Saturday, May 26, 2012
Nan Goldin
Nan Goldin is known for documenting her surrogate family of friends as they engage in intimate, uninhibited, or illicit activities. These unusually lit images are frank confrontations with personal experience, frequently presented in poses that mimic the styles of the fashion world. Goldin visited that world through photographs she took for a New York Times Magazine cover story – “James is a Girl,” by Jennifer Egan – that appeared on February 4, 1996. King’s languid and mature pose in this photograph speaks of a teenager who has experienced much; it appeared in a cropped form on the magazine’s cover.
Nan Goldin has spent more than twenty-five years creating edgy portraits. In 1996 these startlingly direct color images were the subject of a mid-career retrospective organized by the Whitney Museum of American Art, New York, which traveled to Winterthur, Germany; Vienna; and Amsterdam, among other international venues. She has earned the Mother Jones Photography Award, a grant from The National Endowment for the Arts, and the Maine Photographic Workshop Book Award for Documentary Book of the Year. Born in Washington, DC in 1953, Goldin earned her BFA (1977) and 5th Year Masters Certificate from The School of The Museum of Fine Arts, Boston.
Nan Goldin has spent more than twenty-five years creating edgy portraits. In 1996 these startlingly direct color images were the subject of a mid-career retrospective organized by the Whitney Museum of American Art, New York, which traveled to Winterthur, Germany; Vienna; and Amsterdam, among other international venues. She has earned the Mother Jones Photography Award, a grant from The National Endowment for the Arts, and the Maine Photographic Workshop Book Award for Documentary Book of the Year. Born in Washington, DC in 1953, Goldin earned her BFA (1977) and 5th Year Masters Certificate from The School of The Museum of Fine Arts, Boston.
Labels:
Nan Goldin,
Photography,
POSTMODERNISM
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