Orlan is a performance artist who uses her own body and the procedures of plastic surgery to make "carnal art". She is transforming her face, but her aim is not to attain a commonly held standard of beauty. Orlan is the only artist working so radically with her own body, asking questions about the status of the body in society.
In 1971 she baptized herself "Saint Orlan," festooning her body with billowing draperies made of black vinyl or white leatherette. She exhibited these elaborate sculptural costumes in a show in Milan in 1972. Soon she began to wear her ever more exaggerated faux- Baroque costumes in staged tableaux vivants. High contrast color photographs of Saint Orlan, both living doll and living sculpture, were integrated into photo- collages, videos and films tracing a fictive hagiography.
In 1971 she baptized herself "Saint Orlan," festooning her body with billowing draperies made of black vinyl or white leatherette. She exhibited these elaborate sculptural costumes in a show in Milan in 1972. Soon she began to wear her ever more exaggerated faux- Baroque costumes in staged tableaux vivants. High contrast color photographs of Saint Orlan, both living doll and living sculpture, were integrated into photo- collages, videos and films tracing a fictive hagiography.
